Wednesday, 29 November 2023

Music of Code Geass

Code Geass is a show that has every single theme in it. To match that it has equally diverse soundtrack that has epic songs, heavy songs, eerie songs and even quiet and private songs.

Code Geass OST has a number of really touching songs like Stories, Innocent Days, Love is Justice, I wish I was a Bird and Eternal Separation, there are some other good like Siegfried, Avalon or Master. This post ended up much longer than other music posts. However, that is because Code Geass has so many great songs, it is hard to pick just a few.


Stories - This one is my personal favorite. You can even call it a true theme song for this anime. It has it all. A vague hope for a dream of happiness, but also sadness and reflection. You can remember some good things that happened in the past, but you cannot get back there. You can only build a better future.

In the show this song somewhat surprisingly plays before the major battle for the fate of the world. However, if you think of it, it makes sense. They fight for their dreams and better future. This song reflects it. Various stereotypes like to present war as nothing more than wanton destruction. However, that overlooks the reasons people fight wars and that it to achieve their dreams, when nothing else works. This song reminds you of that, as it shows how members of the Black Knights think of their future lives as they preparing to face their adversaries. Not all of them will return alive, but they all have their dreams they are fighting for.


Innocent Days - It plays as a conclusion of the first season of the show as CC talks about hope and search for happiness. The season ends on a cliffhanger, so the song and narrative give you a reflection on what has happened in the past. Not as a recap of the season but as a reflection on whole of their lives, including times not covered by the show at all.


What is Justice
- This a question show asks of you. It does not give you clear good and bad guys and prompts to choose for yourself if you think Lelouch is a hero or villain. That is also a very fine song, with good violin tune.


The Prodigy - Now to the epicenes. This song is both elegant and epic at the same time, just as the show itself. This song has airiness and fluid flow to it.


The Master
- This one is much heavier than the previous one. It mixes elegance of the previous one with heavy bombastic tone, more suitable for battle.


Devil Created - This song plays in the very beginning of the show, when Lelouch receives geass from CC. It reflects on heavy experiences, Lelouch had. That set him down his path to change the world. I think it plays again at the beginning of the second season. 'That is not I, who is wrong, the world it.'
 


No Extended
- This is a very hard-hitting song. Not in a way of metal riffs and loudness. Just a calm, collected, sober determination to carry through your will.


Avalon - This song has a feel of an unstoppable force to it. The overwhelming power of the flying ship it is named after. Schneizel will not stop and so is Lelouch, the confrontation is inevitable.


Final Catastrophe - This song sound more like an escalation than a culmination. This is no longer a demonstration of force. Things are going critical...


Last Evening - This song reflects on the other, more peaceful side of Code Geass. It plays during ball in school and has peaceful and relaxed feel to it. However, as the name suggest, this will not last. 


Love is Justice - This one actually has epic sound to it, similar to the What is Justice, however it also has a sense of urgency as well. This song plays in the episode when Shirley chooses her love for Lelouch over anything else.


Eternal Separation - This song plays at the moment when Nunnally and most of Tokyo settlement is consumed in a Fleija explosion. You can see characters looking at this unstoppable and inevitable force, that is about to take all they fought for.


I wish I was a Bird - When things are bad, you want to escape from it all. Become a bird and fly away into the sky. This song is about that. It is soft and gentle song. That is also a Rolo's theme song.


Strange Girl - That is somewhat of a CC's theme. It is nice and mysterious song, just as she is. I think this song reflects well on the whole mystery surrounding CC's life and fate. She was just a little girl who came to be involved in many important events simply by chance. 


Lullaby of M - This is a very soft and gentle song. It reflects care, concern and love. Something desperately lacking in my life and in life in general. CC wished to find that kind of love. I guess I wished someone cared for me, when even my parents only saw me as means to some sort of end.


Madder Sky - This one plays at the very end, at somewhat surprising conclusion of the series. However, it does not sound like a culmination at all. This one is more of a beginning of something new. Of the world, Lelouch has created.


With You - There is one quiet and relaxed song. Suitable for a private moment for Lelouch and CC. Or for your own. Just for two of them. Sure, there are epic battles going on in this show, but it is ultimately about one's quest of finding happiness. This song is about it.

There are of course more than just the songs I listed here, for example Siegfried or First Signature. This is truly a great soundtrack, and you should listen to the whole thing. Just as in other music posts, a link to the whole soundtrack is below.



Music of Puella Magi Madoka Magica

Puella Magi Madoka Magica has some of the most magical sound songs in all of the anime. They are truly special even among the special songs.

Sis Puella Magica - sets the tone of wonderful magical wonderland. However, it is not just a simple happy go lucky song. It is as sophisticated as it is magical and special. It hints that show is more complex that just light or just dark. Madoka Magica has plenty of dark moments, but some light and fancy ones as well. This song reflects on this fact well.


Credens Justitiam - this one is the song that many people praise most when they talk about this show. It is indeed good and worth the praise. It is more dynamic that the one above and still as magical.

Venari Strigas - However Madoka Magica is not all cakes and fluffy moments. There is plenty of darkness in there as well. This song has heavy guitar riffs and a dynamic pace. It is very suitable for any battle for survival.
Terror Adhaerens - Finally there is one song of complete and utter despair. Here it is. If after countless attempts at something you still cannot get anywhere close, then it feels like this song. It can make you truly sympathetic towards girls in this show.


Numquam Vincar - If previous one is a song of utter despair, that this one is one last ditch attempt one. Like Venari Strigas it is a battle song, but this one has a sense that it is the last attempt.



Finally, a link to a full OST. Enjoy this epic awesomeness.


Saturday, 25 November 2023

Jigoku Shoujo Soundtrack

Jigoku Shoujo is anime about sadness and cruelty of the world. It has perfect soundtrack to match that. I made a separate article just about that soundtrack.

First three are the closing themes for the anime.


First Season - This song helps to set reflective tone for the whole show.

Second Season - Aizomecute and peaceful song. You can sleep peacefully knowing that your enemies will not disturb you anymore. I can look calmly on at a dead enemy.

Third Season (Music is the only thing that is till good in 3rd season)

This is a very mysterious song with very unique melody.


Opening of the first season is sad in its own way. It helps set the stage for the rest of the show.


Next are some of the best songs from the soundtrack itself.

Jigoku Nagashi, you can feel that she is coming to send your enemies to hell, as they deserve.

Jigoku Rock, let em burn, wha ha ha hah

This is very dynamic and eerie at the same time song.

Jigoku Metal - an encore version of the above. It is good in its own way.

Jigoku Shounen - It has a Toccata and Fugue feel too it, but much more dynamic and darker.


Ake no Somari - This is quiet, inquisitive song that builds the anticipation of the action further ahead. It is very mysterious.


Finally, a link to the full OST. Many of them are very good songs with unique melodies.

Sad Songs from Umineko no Naku Koro ni and Higurashi

Umineko no Naku Koro ni has many good sad songs. The story of this visual/musical novel is very sad and melancholic. It deals with desperation due to overwhelming circumstances.

Wingless

The saddest of them all, possibly. However, nothing touches you as much as this one.

Soul of Soul is airy and soft. It is more dreamy than sad.

Worldend has a sense of conclusion to it, but also briefness and conclusion: sense that it is finally over. It is good for reflecting about what has happened. 

Fortitude - the name speaks for itself. Game plays it a lot and it easy to get tired of it as you play. However on its own, it is a very good piece. I gives you strength to go on.

7 Weights - This one has sence of urgency in addition to reflection Its melody is uniquely sophicticated.

Ricordando il Passato - similar in its conclusive nature to Worldend, but soft and gentle instead of brief. A lullby even an stressed ot adult can sleep to.

Oh, Desire by Jimang

This is opening for the Umineko anime is nor part of visual novels, but I think it is great fit for the franchise. It helps to summarize it.

Higurashi no Naku Koro ni

The first opening to Higurashi is mostly a suspense then sadness. However, this song can let you feel the underlying sadness of the characters, that drove them towards these extremes.


You can check the rest of the Higurashi soundtrack here, it is mostly sad. The very first song of this collection, simply called Main Theme reflects sadness and mistery really well.



Friday, 24 November 2023

KanKore: Itsuka Ano Umi de Review

Overall Rating - 6.5 out of 10 - Plain at times, but nothing too annoying.

I can recommend watching if there is nothing better.

Second season of KanColle is somewhat far from its predecessor. It begins slow and continues slow as well. Some might call it boring, but others will call it slow and relaxed experience.

Choies of main characters is also questionable. Many of fan favorites are absent, but rather uninteresting girls get a lot of screen time.

Aside from that there is little to complain about. Considering that many other shows have annoying characters or other things that rub me in the wrong way, not having anything like that is an achievement in itself.

Show finale is somewhat better and has more action.

Overall, not bad.

Redo of the Healer Review

Overall Rating 6.5 out of 10 - Brutal and hard to watch at times but has its good sides.

I can cautiously recommend watching if you are not overly sensitive.

I would say this show gradually improves as its progresses. First couple of episodes are mostly dedicated to abuse of Keyaru and I mostly skipped them. Then we have somewhat of a transitional middle part, were, now Keyaru-ga, trying to survive his pursuers. Finally in the later part of the show Keyaruga fully indulges himself with his ever-increasing harem while simultaneously taking revenge on people who wronged him in his past life.

Keyaruga is mostly relatable person, especially in the later parts of the story. There are some things that I would have done differently in his place, but I would have done the same with some other stuff. 

Keyaruga is far from a convectional good guy, he has his flaws, vices and often acts in very cruel ways. However, you can sympathize with him, based on what people have done with him. 

Flare, Norn and the rest of Jioral Kingdom is prime examples of abuse, lies and hypocrisy. They commit massacres but talk like they are doing good thing, blaming victims instead. Just like Russian government and many people of that country do, my parents included. 

Norn and Jioral army massacred peaceful people of Branica, while claiming they are protecting people from demons and demons-controlled people. Russia shelled Ukrainian cities while claiming they were protecting citizens of Ukraine from Nazis. Creators were likely inspired by Putin's foreign policy. You can wish to see Jioral down, no matter what you think of Keyaruga personally. 

That said brutality level is high so you might want to skip parts that do not appeal to you. Unfortunately abuse against females is somewhat more toned down compared to abuse against males. Alas it is not a Bondage Game with a single male master and multiple female slave girls. I do not like to share my slave girls with anyone.

Plot turns are somewhat dubious at times, but overall, it makes sense.

Overall, it is somewhat flawed, but a decent show. It is surely unique in its kind.

Thursday, 23 November 2023

How Formula 1 and IndyCar Split into two Distinct Series

Back in 1950, there were little difference between Formula 1 and IndyCar. The same cars and engines could participate in both events, Indy500 was part of F1 calendar, the same racers raced in both events simultaneously. Graham Hill even won the so-called Triple Crown of auto racing but winning in Monaco, Indianapolis and 24 hours of Le Mans.

Nowadays cars that participate in these events are vastly different from each other. Racers rarely switch between these series and racing in both in the same year is all but impossible. How did that happen.

Surely there is logistics and costs and so on. However, Formula 1 is a global event that until recently completely overlooked the US, despite racing in even more remote Australia and South Africa.

There was one event in history of Formula one that shaped the series as they were.


Different Tracks

First a little bit of history. Back in 1950s series were pretty much one and the same, there was one difference between the tracks they raced on. In the US most tracks were speedways or ovals, while in Europe most of them were much narrow road courses. Even specially build tracks in Europe often used some existing roads. Natural boundaries such as hills, forests, rivers and lakes also played their part. Europe in general much more congested and build up than the US so there is not that much space to build perfect ovals like there is in the US that has Great Plains.

Because of that racers and teams in Europe were presented with a unique challenge: narrow turns. Turns on speedways are wide enough to turn at full speed. On narrow street circuits not so, one has to break heavily to make a turn. That of course wastes a lot of speed and time. If only there was a way to break less. That way one can go a lot faster and win. Until 1968 that was just a theory, then finally one racer had an idea: wings.


Wings to Turn Faster

If a plane uses wings to fly, there is whole aerodynamics science that studies how it works. However, if you put wings upside-down on a car, will it push it to the ground instead and allow you to turn faster than without them. Turns out yes.

Team Lotus trialed that in 1968 and won the championship. Wings indeed allowed cars to turn at much faster speeds without losing the car to the centrifugal forces.

Soon all other teams followed the suit and introduced their own wings and spoilers to stay competitive. FIA banned mounting wings on suspension, but not wings in general. The new way of racing went ahead.


Tobacco Money

Creating an idea is one thing, but perfecting it is another. Plane builders had factories and large research and development departments to perfect their plane designs. All these costs a lot of money. How an amateur sport, such as F1 could get their hands on such money.

The solution came in the same year by a private racer who pained his car in cigarettes inspired livery for money from tobacco company. Seeing this, Colin Chapman immediately figured where to get the money he needs and in the very next race his Team Lotus was sporting the Golden Leaf livery and Colin was happily counting money it brough him.

That was a legal loophole for cigarettes manufacturers. Governments were increasingly banning all tobacco advertisement, trying to reduce smoking levels. However, while laws forbade, tobacco billboards or TV commercials, they said nothing of Formula 1 cars, painted in tobacco liveries. 

So, Colin Chapman knew tobacco companies will pay him millions to have him display a moving cigarettes billboard for two hours straight on Sunday prime time TV. Unlike commercials, where people often walk away from TV, to do other thigs, here they will be paying attention for full 2 hours. Tobacco companies knew these will sure pay for themselves in increased sales.

Other teams soon followed the suit and by 1970s all cars with exception of Ferrari were painted in one of the other cigarette brands. Ferrari had enough money because Enzo Ferrari founded his sports car manufacturing business of the same name just to afford racing in F1. It was profitable enough to cover all the expenses. Each Ferrari costs a fortune and rich people can't get enough of them. After his death however, new management immediately partnered with Marlboro.

Governments could not do anything. Sure, they could mandate the teams remove the ads if the race is on their soil, but Formula 1 is so conveniently international event, and many countries will allow the ads just to have a race on their soil.

Thus, a tobacco field, high money era of Formula 1 begun.


Engineers' Race

Armed with high money, F1 teams hired plenty of engineers and set up their own research and development department, that had all the equipment and technology of military jets designers just to build the best possible racing car.

That however took them a while to actually perfect the designs. Cars of the 1970s all looked very gimmicky, but also very different from each other. Each team tried their best to make the best possible design in the previously unexplored field. Breakthrough often came from unexpected places. New and obscure team could suddenly win the championship with revolutionary design, that no one have thought of before that.

That made racing unpredictable. Everyone waited for the new seasons to see what everyone has come up with. It was interesting from both engineering and purely entertainment perspective.

Exotic designs of this era included a 6-wheel Tyrell as well as Brabham's fan-car with a literal huge fans in the bottom and back of the car.



On the cusp between 70s and 80s Colin Chapman eventually went beyond wings. He and his engineers figured that you could use vacuum to keep cars on track even steepest of turns. So called ground effect.

Concerned that g-forces in F1 getting closer and beyond those experienced by actual fighter jet pilots, FIA banned ground effects, by car floors to be flat, but F1 teams eventually went around it by using diffusers. 

Eventually they even developed a special training program for F1 pilots so that they can withstand the g-forces.



Designs became somewhat less outlandish by 1980s, but by that time engineers found other ways to make cars even faster. Exotic materials, such as carbon fibre, now ubiquitous in F1. Revolutionary engine designs, such as Renaut turbo charger. Even literal rocket fuel. 

Because of that 1980s era was even more entertaining than 1970. There were times when Senna battles Prost. Surely, they were good racers, but they also had Adrian Newey (who now works for Red Bull) to come up with innovative ideas to keep McLaren on top.



Finally, 1990s brought electronics in Formula 1. As much as FIA kept banning them, teams keep inventing new innovative ways of getting even faster. 

Fully automated computerized Willaims suspension allowed their cars to drive over steep side curbs like over flat track, maximizing their speed in turns. Willams was undefeated in 1993 before FIA made them part with this innovation.

However, progress could not be stopped. Computers were increasingly used to perfect every aspect of F1 cars. Bans were nothing more than stumbling blocks that did not prevent innovation. F1 cars were getting more and more advanced by the day.


Meanwhile in IndyCar

Nothing of sorts of going around in IndyCar. People there occasionally looked across the pond to copy some fancy designs. However, they did not want to copy any technical innovation. So, their cars only looked like F1, inside they were pretty much made of the same basic materials as before.

Team Penske once used advanced F1 technology in 1994 Indy500 and won by a huge margin. However, organizers banned them from doing this in future.

In fact, they made effort to make sure all cars are of the same basic design. IndyCar was not a competition of engineers, but only of racers.



However, without technical innovations, cars that run at the same speed and even tracks that do not offer much challenge to racers, would not everyone just floor it and finish the track at the same basic speed.

To keep people engaged, organizers turned towards more generic methods of keeping people entertained. Colorful characters, racers from various global background, pre-race entertainment and so on.

To make races even more unpredictable, they used safety car library to simply get cars closer together and encourage overtaking.



All that made races more eventful but less meritocratic. 

In F1 you win because your engineers better at designing cars or your races are better at racing in complex conditions. In IndyCar you win because of luck or even organizers insertions. 

Sure, there were some scandals with race fixing in F1, but people involved were banned from F1. Fans of F1 do believe their sport is a fair as boxing where the best win and not as staged as another US invention, WWF wrestling. 

It is sure looks impressive when WWF fighters break chairs off each other's backs, but in an actual fight that will result in crippling injuries for participants. The fact that it does not happen in WWF proves that all fights are staged, and winners are predetermined in advance. 

That is of course fake racing and fake show, and we (F1) are better than this. Our races are real ones without any fixed outcomes. That is what keeps F1 fans from believing in F1. A finnicky criteria that is hard to replicate.


End of Technical Innovation and Tobacco Money

Back to F1 innovation. Over the course of 70s, 80s and 90s F1 teams kept innovating and in 2000s eventually managed to build a perfect car.

Early 2000s cars were indeed close to perfection. Not even the most advanced computers could come up with anything even more advanced or fast. There were couple of innovations in the 2000s, such as Renaut nose stabilizer that was borrowed from skyscraper design and won Alonso his two titles. There was also Brawn GP double diffusor, but that was more of a creative interpretation of rules and not actual new idea.



To make matters even worse, the government finally caught with tobacco industry. More and more nations globally would ban any tobacco ads, including the ones on F1 cars. European Union directive to ban tobacco ads throughout the whole EU was the last straw. Tobacco companies mostly quit the sport in 2005. Former F1 Supremo, Bernie Ecclestone, called end of tobacco sponsorship a Black Day for Formula 1.

Some more savvy, like Eddie Jordan or Paul Stoddart also called it a quits and sold their teams to people who had money to run them without tobacco sponsorship. Indian businessman, Lakshmi Mittal and Red Bull energy drinks manufacturer took over as managers of these teams. Jordan first became Force India, then Racing Point and now Aston Martin. Lakshmi Mittal in turn sold the team to Lawerance Stroll when he run out of money or patience to run it. Other also sold off or went bankrupt. The last independent stalwart was Frank Willams who managed to scrap it together somehow until 2020, using his famed name to keep his Willaims team afloat.


Car Manufacturers Era

Formula 1 however continued without tobacco money. It was mostly car manufacturers who stepped it. Red Bull energy drinks, who also joined at the time was an exception.

Overtime F1 managed to build a reputation for car manufacturing excellence and car makers from all over the world wanted to be part of this. After all what can advertise your cars better than winning F1. Not to mention the whole moving billboard for two hours on Sunday TV prime time, an ad space that suddenly got cheaper due to tobacco's exit.

However, tobacco companies only needed branding and did not care about running the whole show, giving team owners and organizers free reign over their sport. Car makers instead wanted to control teams directly.

There were also differences between how races themselves are run.

While tobacco companies were fine with crashes and other such events. That only increase popularity with fans and in turn increased their brand exposure. Car makers did not think the same, for them crashes showcase their cars as unreliable and dangerous, which is bad for business.

A boring race where guy on famous car maker branded car, such as Mercedes, leads from start to finish makes for best advertisement for Mercedes manufacturer, Daimler Benz. It showcases Mercedes as fasters than all competition and very reliable car. Daimler Benz paid a lot of money into their works team, managed by Toto Woulf and want that kind of results.

However, that is bad for viewers and competition. Tobacco companies' interests were a lot more aligned with fans than those of car manufacturers.

To make matters worse, car makers do not have as deep pockets and would like to limit their expenses on F1. Introducing cost caps and other such measures.


Dependency on Engine Suppliers

However, the worst offence, car makers make against the sport is their exploitation of engine supplier position.

Engine suppliers, such as Mercedes, who supply their engines to other teams in addition to their own works team, have a conflict of interests. If they give their clients as good engines as they give to their works team, then they might win and that will present their works team as not as fast as some dubious upstart. 

The solution is to simply give them subpar engines to make sure they will never be a challenge to the works team. There could be other measures too, where pressing some button will simply shut off one of the client cars to let works team win.

Client teams have no choice but to accept these conditions or have no engine for their car at all. McLaren went to great length to free themselves of this toxic partnership with Mercedes by switching to Honda and Renaut. However, the alternative engines were even slower that crippled Mercedes one and McLaren begrudgingly returned to them. 

Aston Martin and Willians are on the same boat on this one as they also use Mercedes engines. Haas and Alfa Romeo have the same problem, just a different oppressive overlord, in their case Ferrari.

That is why when Honda decided to quit F1, Red Bull bought out their entire factory and their research and development department. They spend a lot of money to keep this independent engine making ability to not become as dependent on Mercedes or Ferrari like the others.

That is also why F1 desperately needs more engine manufacturers to join the sport and finally put an end to domination of big three. Finally, we see some improvements in that department.


Conclusion

New engine manufacturers can bring more traditional style competition between engineers, in this case engine manufacturers. That is what F1 fans want.

However, a technical limit of innovation might have been reached. In 2010s they tried to artificial stimulate the research by making dubious changes to the rules simply for the sake of formelting new research to design a car to new specification. The result were ugly looking cars, like those of 2012 season.

Surely it will be good if F1 manages to find ways to innovate that will take their cars even closer to being spaceships on wheels. However, it might as well be that F1 will need to take pages from IndyCar playbook to stay entertaining.

I sure hope F1 will have good future ahead of it.

Eminence in Shadow Review

Overall Rating 6.5 out of 10 - Very Good at times and meh at others

I more or less recommend watching.


Eminence in Shadow had a lot of potential, but unfortunately miss most of the marks. It is still enjoyable when they focus on right characters and tight themes.

The good about this show it Lord Shadow himself as well as his harem/organization called Shadow Garden. Name is stupid but all girls there are very loyal to their Lord Shadow and most of them are cute. I especially like Gamma, Delta and Eta are also ok.

Together they fight a secret undercover war against Cult of Diabolos (against stupid name) and save the world from their cruel experiments. That is almost like a simplified Code Geass done right this time. Simplified but good enough to earn 8 out of 10 on my ranking.

Unfortunately, they had to screw this successful formula with a few annoying characters who take too much screen time. Alexia ark wanted me to drop the show, she kept showing up in later episodes as well. 

Cid's background persona takes too much screentime as well. Show clearly goes too far in showing us how far he goes to hide the fact that he is really powerful. Sure, Lelouch did that too, but that did not take half of the screentime. Aside from that Ashford scenes were funny in their own way, but here it is hardly anything but abuse of Cid that drags way too long.

That said, despite a significant number of flaws that drag the score down by more than one point, at its best moments this is still a very solid show. Shadow Gadren Girls are cute, loyal and obedient, just how I like them. Some side characters, such as that librarian-scholar from second ark as well as Diabolos-chan (Aurora) are cute as well.

Unlike Guilty Crown, that gets everything wrong, Eminence in Shadow is a solid effort and I recommend watching it. You can skip most of the first ark (episodes 1 to 4) to see less Alexia and improve your experience.


Tuesday, 21 November 2023

How to Fix World of Warcraft

I think World or Warcraft needs a brand-new playable fraction, to add to the existing Horde and Alliance.

While there were only two playable fractions, the actual fractions that controlled various zones were much more numerous. If you pay attention, you could easily see that certain areas such as Scarlett Monastery or Plaguelands are ruled by Scarlet Crusade and Scourge respectively. Nowadays it seems that there are only Horde and Alliance left.

Differences between Horde and Alliance look superficial by now, they are more of friendly rivals rather than sworn enemies they used to be. After that grand alliance in battle for mount Hyjal further conflict looks pointless. Trall's Horde has its new home in Barrens/Durotar, no particular ground for further conflict. 

Aside from that honor and endurance of the new horde of Durotar cannot be readily reconsolidated with no limits pillage and 'we take what we can' ethos of Doomhammer and Ner'Zhul. They are almost like Jack Sparrow's 'take all that you can, give nothing back'. Original horde was literary land pirates. They were not like horde of Durotar or later Dark Horde of Rend in Blackrock Spire. We need that ethos back, but only a new horde/ new fraction can be this way.

Current Horde is nothing like that and Garrosh could not change that. It is not so much about leader, but about circumstances. Doomhammer was cruel sometimes, but that were war times and people he dealt with clearly deserved it. Garrosh not so much. Thrall leadership per se did not look out of place in Reign of Chaos or The Frozen Throne, however in WoW horde evolved into honor obsessed pacifists and it cannot go back from that.

Thus, we need a fraction that clearly wants to shatter status quo and make place for itself in the world. The original Horde was like that. That is why people like it back then.


The New Syndicate

And where else to start building this fraction that from people who lost a lot in previous wars and want bitterly to want it back: the Syndicate. The Syndicate somehow retained most of the features of the original Horde. In a way it can be considered a true successor to the legacy of Doomhammer and Ner'Zhul. 

It can serve as abasis for the new playable fraction. Word 'syndicate' means a sort of union or an alliance, so it is suitable for a fraction with many races and subfractions in it. Also, unlike alliance or union it has sinister mafia style feel to it, similar to cartel. However, Goblin Cartels already have a place in the world and will not make as good of a basis for a new fraction. However, they should be somewhat more friendly with Syndicate compared to Alliance and Horde.


Syndicate can have as many races as other fractions. Alterac Humans, Shadowmoon Orcs, Blackrock Orcs (both should have option of being fel-orcs), Fel-Blood Elves, unaffiliated undead that split of Sylvanas (leaderless Reavers), Highborne Night Elves who detest Furion and Tyrande rule, possibly Ogres, Goblins and even Drenei, disillusioned with Velen.

As creating its own fraction is difficult mechanics wise, it is possible to arrange that members start out as one of the existing fractions but go their own separate way in the end game. It could be said that members of Syndicate infiltrate Alliance or Horde. Somewhat the opposite of how Pandaren start neutral but then pick Alliance or Horde, here you start as one of these two but then go your own way.

Alternatively, Syndicate should have unique both starting and end game experience. Starting location can be Alderac Mountains and Arathi Highlands, it can culminate with retaking some cities in Alterac, Southshore or Dunholde Keep as a preliminary hub for the fraction.

Syndicate members should retain facilities of their infiltrated fraction for gameplay mechanics reasons but should also have access to the unique locations and hubs, special to Syndicate members.


Then in late game experience, after their infiltration of Alliance/Horde and reaching the level cap, fraction will gather again to take Stromgarde as well as all Hillsbrad and Arathi Highlands. Separate endgame hubs are essential for this fraction idea. Former Stromgarde can serve as one of such hubs.

After the capture the new areas should provide fraction members with full size country, with a separate settlement for each race in Arathi or Hillsbrad, Alterac Humans will have Alterac for example. Stromgarde (renamed Syndicate City) can be the biggest all Syndicate settlement as well as a place where all races of Syndicate have presence.

Later Syndicate may be able to conquer some other areas, such as Blackrock Mountain for the fraction and have their facilities phased in there.


To compensate ordinary Horde or Alliance members, they can have some separate endgame fraction that opposes Syndicate to preserve the system. Guardians of Azeroth perhaps. They can reclaim areas for Allaince/Horde, or for Argen Crusade, Cenarion Circle and so on. They too can have their facilities phased in.


These ideas can finally bring back life back to World of Warcraft

Saturday, 18 November 2023

Differences between Assassin's Creed and Assassin's Creed II and Similar Patterns in WoW and Other Games

After watching playthrough of Assassin's Creed II, I noticed a rather clear change in both protagonists and villains in this game compared to its predecessor. Not to mention a main protagonist himself.

Back when I played the Assassin's Creed II, I was too concerned with the main plot of battle between Templars and Assassins to judge second's game heroes and villains on their own merit. However, many years later, when I revisited the game, I noticed a big shift and it's not a good one.


Antagonists

Antagonists in the original Assassin's Creed were either delusional or outright malicious people who hurt others and pretended it was not just cruelty. For example, Majd ad Din publicly executed a woman for adultery and men for gambling, then admitting privately in Altair that he only did it for fun, implying that he knew they were innocent, but killed them anyhow.

They were all people with a lot of authority who used it for causing harm to those under them. Altair was doing world a favor by ridding it of such people. It was a deed that people, freed from the rule of the likes of Majd ad Din would surely welcome.

The overreaching narrative was that Templars intend to use Pieces of Eden to establish Orwellian like society where Big Brother not only watches you, but literary control your every move with these advance pieces of technology. They all claimed it will be 'good', An evil enough enemy, worthy of stopping. You fight for not having world turn into a Eurasia, you do not want to live in something like that.


In contrast in Assassin's Creed II your opponents by themselves are not that intimidating at all. Sure, overreaching narrative still ties them to the same Orwellian Templar conspiracy, so that is good enough reason to fight them in this game as well. Sometimes it is spiced up by occasional acts of terror against the local population. However, many of your targets are simply intimidated by their leader, Rodrigo Borgia and mean no harm to anyone other than by his orders.

That would make it more logical to kill Borgia and save Pazzi and Barbarigos from his oppression. However no, game makes you kill people Borgia subordinates instead. Thus, from being a protector of weak from the strong you turn to culling weak while doing nothing about the strong.

You do get to fight Borgia himself later, but not kill him. They possibly wished to save it for sequel. In sequel Cesare murders Borgia before you can.


Story does gets better in the latter part of the game; Savonarola and his lieutenants are much like the templars in the original game. You kill them to let people be free to live as they see fit.

Generally, events after the Apple gets to Venice does feel like the original game. 

Because of that the game overall feels like an improvement over the original: it still has good story of the original Assassin's Creed but also new game mechanics that makes it more interesting gameplay wise.


Protagonist

Altair from the original was a mysterious and detached figure. You knew nothing of him, so it was easy to extrapolate your own qualities on him.

Al Muallim accused him of arrogance, Altair later came to question his judgement.

Over the course of the game Altair grows somewhat wiser and more experienced as he sees various people and events that makes him question things he used to believe, or things people say to him.



In contrast second game imposes a lot of qualities on Ezio. When I first played it, I just dismissed it as a tutorial section without thinking too deep about what happened before Ezio took the robes. Looking at it more carefully, I noticed more.

Unlike Altair who fights the large fight for a cause and mostly ignores petty squabbles, Ezio is more of a casual brawler who just gets in petty fights with thugs. 

Ezio does not challenge or oppose any authority. Always does what family or other powerful or 'respectful' people want of him. Ezio is a lot more of a guard dog that protects those in power, rather than lone wolf who takes them down, like Altair.

Generally, devs decided to make him some sort of perfect son and family member. For someone who hates his parents, these parts of the game are annoying to watch.



Also, he is all too eager to chase after 'powerful' women. Generally, women in this game yell in annoying commanding voices. Lucy was gentle and docile in the first game, in second they turned her into a Karen instead. And they added more Karens in it to ruin things.

Generally, this women-chasing it abhorrent. Characters are so willing to do anything for a girl, it is abhorrent. Why cannot they have self-respect and make women grovel before them on their knees and beg for attention.


Outcomes

Of course, a second game is somewhat a transitional piece that combines ideas and ideologies that made the original game with those that completely oppose them. However, in many ways it is the opposite of the previous one. I think this trend continued in later games, where there was nothing left of the independent mind-ness and opposition to authority.

Instead of an insurgent who protects weak from strong and destroys unjust authority, we have brawler who beats weak and grovel before strong, old or any 'authority figure' people, who someone told him to follow.

If original Assassin's Creed taught to question authority and think for yourself, then its sequel instead taught to blindly follow authority figures and women.


Similar Patterns in Other Games

However, this is not the issue of just this game in particular. In World of Warcraft, we notice a similar trend. That is why veteran players dislike new WoW. After Cataclysm characters grovel before authority figures or 'father figure' people. This kiss up, kick down is disgusting to watch.

They always serve someone higher and more important than them. Either Old Gods or Titans. Sure, Old Gods and Titans were in WoW before, but characters looked after their own interests and desires. Templars in first Assassin's Creed were motivated mostly by self-interest, their loyalty to the organization and the cause was secondary.

Friday, 17 November 2023

The Knowledgeable Figure in Fiction

In certain fiction books there is a one person who knows things. Good example will be Gendalf in Lord of the Rings. He is older, wiser, has magical powers and knows everything about what the party have encountered. He uses these powers to guide Frodo and his party in their quest.

Those familiar with the lore, know that he is Maiar, member of the unique 'guardian' race that are few in number but possess significant powers and use them to guide the world. Sauron, Saruman, Radagast are also Maiar.

However, for casual readers he is simply a wise old man. There are figures similar to him in many other shows. Star Wars has Yoda and in late trilogy Obi Wan. Harry Potter has Dumbledore.


Together they perpetrate a stereotype that there are some wise old men who knows it all and guides the younger people in their quest. That ponders to the conservative worldview that older people know better. That view ultimately culminates in one God concept from Abrahamic religions, all powerful omniscient being who guides humanity towards some goal only he understands.

However, reality is that people are fallible. Your average old man is hardly a Gandalf or Yoda. More often they are not even Saruman or Darth Sidius, but rather senile old fools. Some are selfish and corrupt to take advantage of the trust people place in them for their selfish ends.

Thus, these stereotypes perpetrate blind trust in people who often do not have your best interests in mind.


In fiction people are so get used to them, that they instinctively look for someone like this to explain to them what is going on.  

That makes people misunderstand plot in stories that lack any such person. For example, Code Geass.

Less intelligent fans cling to any such explanations, even if they ignore the events in actual show.


Because CC narrated epilogue in movie version of the show (it is not present in TV version), people trust her as being a Gendalf like figure of this show. 

However, her backstory in C world clearly explain that she is nothing but. She is completely clueless about many things, even if she is wise about certain others. She does not have comprehensive understanding of geass, all she knows about it comes from her own experience with it, that is limited. She made her own mistakes due to lack of understanding how this thing works.


And it is not just CC. Code Geass subtly, but consistently tells a story where no character has a complete idea of what is going on. It much better reflect on reality where there are also no omniscient beings who have a plan for everyone's better future. Those who claim they do, likely have some ulterior motives.

In Code Geass there are not conventional 'good guys' who just save the world out of their good nature. People debate Lelouch, his opponents however mostly look like villains.

Lelouch, CC and Suzaku make their own decisions, see the effects and learn from them. Esch of them had to learn from their own experience. Code Geass is one of few shows that portray such process.

None of them had Gendalf to tell them how to get what they wanted to get. Even if they had one, like that nun for CC, they eventually get betrayed by such person and left to fix shit on their own.


I think we need more shows like Code Geass. People blindly trusting those who are older, create nothing but dumb ignorance and prevent innovation and advancement of humanity.

Tuesday, 14 November 2023

How Much CC Knew About Geass



You should not consider her as some sort of Gendalf level wise and super capable being. She is but a girl who lived a long life.

Sure, she has some supernatural powers, but other than that she is very ordinary girl and what she knows and what she can do is limited.

She does not understand how geass works, nor does she understand what to do if it goes awry.

In her flashback she literary resisted Code of Immortality taking over her body. She even said, 'do not invade me'. She clearly has no idea what that power is, why she has it or how to live with it. She learned all she knows from experience. No one provided her with any explanation or manual on the powers she has.

Same how Lelouch had to learn how his geass worked in an experimental way by geassing his teachers and other students to see how long it will last and so on.



A bonus: some about CC's Flaws

Using Lelouch's credit card and being stubborn and disobedient at times, like that that episode with the bed.

However, her flaws are somewhat inconsistent with her character, you would think they are more of accidental behavior, caused by the circumstances, than her actual self.

How Boomers Ruined Our Entertainment

I often complain that anime got worse in the 2010s compared to 2000. I do specify that is it story and plot that suffers and not the art or quality. There were advancements in art and quality, but they are contrasted by sharp decline in story and plot.

However now I can pinpoint the reason for this decline: boomers.

Back in 90s and 2000s most stories were aimed at youth. They featured characters young people could relate to.


Take Warcraft universe for example. Arthas, Illidan and Kael'Thas where characters actual young people could relate to. Their struggles and choices reflected choices and issues that we (Millennials) as generation faced.

Arthas found that rules set up by his Kingdom prevents him from achieving the objectives they themselves set him to accomplish. It was Uther who told Arthas to investigate the plague in the north. However, it was also Uther who refused the solution Arthas devised at Stratholme. Arthas understood how plague works a lot better so he knew people could not be saved, you as player saw it yourself in previous 3 missions. Yet Uther denied his decision based on some outdated principles that too detached from current reality.

That is so like actual youth experience where young people often find themselves bombarded by adult preaching, that does not reflect reality of their lives and does nothing to address the challenges they face. If anything, it only makes them worse. Just like listening to Uther would have left them fighting a literal zombie apocalypse together with Mal/Ganis.

Illidan suffers from unrequited love for Tyrande, who instead picked his twin brother Furion as her love. 

(Mal)Furion is like a kid who is more loved by his parents compare to pariah Illidan. Favored by Cenarius because Furion is a narrow-minded idiot, obedient student to his doctrine, unlike independent minded Illidan. Furion gets all the good things in life: pretty wife (though Tyrande is messed in the head with her goddess), respect of Night Elves, approval of his superiors. He is somewhat of a cuckold though.

Furion was like a parents' preferred role model of sorts. However, fans overwhelmingly prefer his twin brother Illidan instead. Illidan is a better person, smart and caring in his own way. He is not an idiot who blindly enforces rules, but a person who does what makes sense to him. 

Finally, Kael'Thas suffers from an unreasonable racist bias of Garithos, who is probably jealous of elves' intelligence and beauty. How many young people suffer from stupid abusive evil bosses. Kael'Thas eventually finds new and better friends in Illidan, Lady Vashj and Naga.

Back in 2000s WarCraft was our, Millennial game. Its world, characters and story reflected out worldview aspirations and needs.


Then Cataclysm happen, so aptly named expansion. The game begun catering to boomers and their folly instead. Characters that are approved by elders replaced those to whom young people could relate.

Garrosh that treated everyone like shit but wanted to win approval of Thrall and later his father Grom Hellscream. Thrall still killed him and called him a disappointment.

Varian Wrynn who himself was a kid in early WoW, somehow got very old by the time of Legion and had his own son, Anduin Wrynn. Nwm, it was not him, he was lost and only returned in Wraith of the Lich King. That means most players did not even knew who he was before that moment. Sure, there was a comic about him, but I doubt many read it. Regardless, Varian had very youthful appearance until Legion.

Anduin is more of a favorite flawless son who appeals to parents, rather than a character that young people can relate to. Other Characters often pick on him.

Finally, Sylvanas somehow became WarChief of the Horde. I guess they only done it so that they can make a story about old people reclaiming the righteous Horde from 'spoiled youngsters'. By the way, unlike Varok, who was only introduced in WoW, Sylvanas actually fought and died defending Sylvermoon from Arthas and the Scourge. Arthas did reanimate her as banshee of the Scourge, and she fought for the Scourge for a time. However, she managed to break free from the Lich King's control and started her own fraction of independent undead who also managed to get free of the Scourge: Forsaken. They may be free of Lich King, but they are still undead, which means that are living corpses, Sylvanas as well. I do wonder on what battlefields did Varok fought and 'bled for the Horde'?

Original WoW lore subtly outlined mutual distrust between core Horde on one side and Forsaken and Blood Elves on the other. Orcs Trolls and Taurens did shared common sets of values and admiration for each other. Forsaken and Blood Elves simply joined because of convenience, neither of the wings fully trusted each other but worked together because of common enemies. Such distrust, that hardly disappeared, would make a Forsaken WarChief impossible. 


Older people and old values relatable to boomers replaced those relatable to Millennials. By now it is a old people's game that caters only to boomers's sentiments. That is why so many Millennials desert WoW or play WoW Classic instead. I think Classic will stay at Wraith of the Lich King.

Other entertainment as well. Even Anime, Hollywood became completely woke and subservient to the boomers' nonsense.

So, we need to kill boomers to save our entertainment as well.

Monday, 13 November 2023

On Shinji Matou

In fact, the whole Shinji Matou group with Medusa and Sakura is much more relatable to me that Shirou and his mess.

Shirou is controlled by morals, guilt and other such complicated feelings I do not have. He tries what moral people call 'do the right thing', but that is impractical and irrational.

For someone as rational and cynical as me Shinji Matou makes a lot more sense. 

Show may be portraying Shinji Matou as sort of a bad guy, but he is not the type who just cause any wanton destruction like some stock villain.

Shinji just does what is the most rational and practical to survive and win the Grail War. He is smart in dealing with Shirou or other people around him. 

Sure, Shinji Matou is in it only for himself, but so is many other masters. For example, Illiya hardly thinks about victims when she sends berserker to fight. In fact, she and berserker might cause even more damage that Shinji and Rider as she is nothing more than immature emotional kid with too much power at her disposal. At least Shinji is discreet and does what he does to ensure his victory and not just because he can.


I generally like Shinji Matou. I think he is definitely more like me than Shirou. In fact, I would even say that Shinji Matou is one of the anime characters that are like me. I watched only 10-11 episodes of the Fate/Stay Night so far.

Shinji has good taste in women too. He has submissive Sakura and Medusa to do his bidding. Medusa's outfit is both sexy and submissive so it her tame temper. Sakura is warmer and cozier than Medusa, but she is also very submissive. I would like to dominate Sakura and Medusa in a BDSM threesome. Unlimited violation of these two is much more fun than some unlimited blade works with Rin or whatever.

In general, their household works really well. Two submissive girls serve one arrogant and proud dominant guy. I would like to be in Shinji's place and also take advantage of these two girls.


Penultimate note. I once saw a T-shirt that said that: 'All women are Bi-, you just have to find out if they are Bi-sexual or Bi-polar'. I wonder if we can summarise men like that: 'All men are Shinji, you just have to find out if they are Shinji Matou or Shinji Ikari.'

Ultimate note, I think Shinji Matou is a typical INTJ. He is smart and constantly plotting winning grail war in secret. Just like an INTJ would do in his place.

Why Medusa is Submissive


Some people disagree with me that Medusa/Rider from Fate/Stay Night is submissive. However, I will explain why she is actually a good example of a submissive woman.

Surely based on how she treats Shirou alone you cannot call her submissive. However, Shirou is not her master. In fact, Shirou is an opponent of Medusa's Master, Shinji Matou. Thus, Medusa fights him. Her personal feelings for Shirou do not interfere with her doing her master's bidding.

The real reason Medusa is submissive is her relationship with Shinji Matou of course. Medusa might not like how Shinji as a person. She is not found of the way he fights in this war either. However, she still obeys him unquestionably. That is what makes her submissive. She understands her place and never questions it. She obeys her master above all else.

She stands behind him and listens to his instructions. She is always ready to both serve him as well as fight against his enemies and protect him.

She is the kind of submissive girl I want to have.

Saturday, 11 November 2023

Why Women Should Sacrifice for the Man they Love and Not the Other Way Around

Is that jealousy? Envy?

You hate CC because more men like her than you. And for not getting fat despite eating so many pizzas every day.

Instead of trying to be better yourself, you want to destroy or badmouth her instead. Kind of like Black Rose duelists from Revolutionary Girl Utena try to kill Anthy and take her place.

There is another metaphor from Revolutionary Girl Utena, in the final episodes, where Anthy takes these countless swords in Prince's place. It is a metaphor for all the jealousy and hatred a good couple attracts from people around them.

CC too went through the period of abuse and suffering at the hands of various people.

However, both CC and Anthy understand importance of sacrifice. That is why. They can truly live for the sake of their loved ones, not just for themselves.

They do not just say 'they will do anything for you', but only care for themselves in reality like Kallen. They actually do that. I would not say they 'walk the talk' because they do not talk, only walk.



Also, CC has a loner personality. She does not want to be involved with anyone and avoids attracting attention. She does not want people to like her, neither does she want them to hate her. Despite that she basically gets all the love and affection in this show. You should think why?

Details of Zero Requiem

Zero Requiem does omit number of details that might make people misunderstand what happened and why it happened. They only cover politics at glance as then just bring you the outcomes. After all he did not mean it figurately when he said that 'From this moment forward the world belongs to me.'.


So, after Lelouch defeated Schneizel, took control of Fleija and made that announcement, what did he do?

First just as he intended with that discussion with representatives of the UFN he joined the UFN but did not reduce voting power of his country. That gave him controlling vote and essentially allowed him to rule both Brittania and UFN simultaneous. As per announcement during the parade he was Chairman of the UFN. That alone allowed him to turn two biggest nations into one.

Lelouch as Zero of course created UFN himself, but UFN members did not knew that. So UFN members saw that as usurpation of their organization by their former enemy.

Then he used threat of using his forces and Fleija on all the remaining nations in the world and forced them to join UFN. Thus, turning UFN into an effectively world government and himself into a ruler of the entire world. Other nations did not like that, but there was nothing they could oppose the guy who has Fleija and does not hesitate to use it.

He also used controlling vote in UFN to reappoint himself as CEO of Black Knights. For most Black Knights, who did not know Lelouch was Zero, that was not a reappointment but rather usurpation of their organization by a former enemy. However, there was nothing they could do about it.


So Lelouch united the entire world.


However, all these actions made Lelouch very unpopular. Most saw it as unapologetic tyranny as gunpoint. So, world hated him. Many went underground to resist his new rule secretly. Lelouch did not liked that there is resistance, but what he could do to stop even them.

Lelouch ruled the world, but everyone hated it. They hoped that some kind of resistance hero, such as Zero, will overthrow Lelouch's rule and make world free again. 

Being cunning enough Lelouch figured out just what to do to give them just that: Zero Requiem. Zero will just reappear and in a staged scene will 'kill' Lelouch. World will be free from tyranny and live free again.

No one knew Lelouch was Zero, in fact it was implausible to think that Lelouch was Zero in the first place. Sure, anyone could be under the mask, but he is likely Japanese or any other ethnicity, oppressed by HBE. Black Knights executives have never announced that Lelouch was Zero, because they thought that even their own members will think they are insane to say something like that, that is how implausible that was.


After Zero Requiem not even underground resistance had any reasons to oppose his rule. Cornellia, Gilford and Viletta joined new world order. His former Black Knights notable members became prominent members of new world order. Zero and them became heroes of the world, just as Lelouch originally intended.

So Lelouch achieved all that he wanted. 

Because of Code of Immortality, he did not die in the process.

Friday, 10 November 2023

Revisiting Mawaru Penguindrum

I recently partly rewatched Mawaru Penguindrum. Parts of the story did not connect well for me. I was not sure if I just forgotten the details or missed something altogether.

Watching from episode 19 and skipping here and there did help me get a different perspective on the show. When I watched it originally, I was probably staringly paying attention or watched it episode by episode and by the time I reached episode 24 I likely forgot many flashbacks from episodes 19 and 20.

Before I thought that had Takakuras are simply naive kids who first get some mysterious issues with that Penguinhat thing and then were taken advantage by the Pink Haired Doc who promised to cure Himari for a lot of money. It is easy to think this way if you watch from the start.

Not to mention I paid a lot more attention to Ringo and her quest to beat Yuri and win Tabuki's affection. As well as mystery or Momoka's diary. As I mentioned before I do not particularly like Takakuras.


Real Past of Takakuras

However, in episodes 19 and 20 Masako attempts to restore Himari's memories. Later over the course of final episodes they gradually outlined what have happened. 

Takakura's parents got involved in some sort of cult called Penguin Force that wanted to change the world. They done some terrorism got in trouble with law and got themselves killed.

The three were not originally siblings but became siblings because of their parents' decision. Kanba's parents died and Takakuras adopted him. Shoma found Himari and adopted her as well.

They the three of them forgotten all about the past and only remembered that three of them were like this all along. Himari did not remember until Masako used that blue ball of recollection on her. She has red balls of forgetfulness as well.


Reevaluation

All this however reshapes the story in a different light. Now they are not simply idiots who are taken advantage of. They sacrifice willingly. They lead this ugly life as punishment for their past. Their life is an ugly never-ending strong of sacrifices for Himari's sake.

To add to the problem, because of what their parents did, they had to face other hardships as well. For example, Tabuki wanted revenge against kids because of what their parents did.

They suffer a lot but get nothing of value in return. Just prolongation of their misery.

In the end both Kan and Sho sacrificed their lives so that Himari could just live in that shabby house and be friends with Ringo.

So, the whole story is some kind of glorification of martyr like existence.


Bitter Aftertaste

What is worse is that their parents pushed this fate on them. Even worst is the fact that they simply accept it. 

I do not hate Himari per se, but I would not sacrifice anything for a woman or parents.

Because of that Takakuras are hard for me to relate. I can understand what they are doing, but I will not do the same in their place.


I am not sure if I would like this show more if it were women instead, who sacrificed their lives and took punishments for men or from men. I am sadist after all, but I only like it when girls suffer.


Mawaru Penguindrum vs Revolutionary Girl Utena

It is different from Ikuhara other show: Revolutionary Girl Utena, where I could relate to the characters.

Utena's protagonists attempted to take the Rose Bride and obtain Power of Dios, that is said to be granting wishes. For their selfish wishes and desires they wished to obtain Anthy and fought the duels.

Mysterious Power and a cute, likable girl as bride. A temptation one would wish to take, providing there are no drawbacks or risks. There did not seem many risks for duelists in the show.

Anthy may be a witch. She was not pleasing the duelists out of kindness of her heart. Rather she partly played the Rose Bride for Akio's sake, partly she enjoyed it herself. She simply knew what to do to make any of the duelists to like her enough to fight in the duels to obtain her. 

Anthy knows all there is to know about romance and does not hesitate to use it for her selfish ends. That is why Akio described her as the witch. 

In my dealing with TrueHellDei I too felt that she is much like Anthy in that regard. Of course, it might be that she was sincere, but I am probably too cynical and skeptical to believe something like that.


However, I will admit that I indeed wish for TrueHellDei to care for me sincerely and not for some ulterior motives.