Saturday, 28 June 2025

Angel Egg Review

Overall Rating 7.9 out of 10 - Nice deconstruction of the 2010s era.

I recommend watching if you understand literarily analysis and literary fiction.

For every proper literary fiction out there, there are at least three pretentious pseudo-intellectual imitations that put together a bunch of unrelated scenes and call it a movie. Thus, it's always nice to find something that actually has a meaning, like topic of this review.

Yes, literary fiction is like a riddle. Only those who are smart enough can figure out what it is about, while the rest are left to wonder WTF is this shit. 

I used to wonder why I like shows like that. I came to a conclusion that it is because I like to bask in my intellectual superiority and such shows give me just the opportunity to do so.



Angel Egg is about the post-Crisis Era of 2010s that I like rave about a lot. However, unlike shows like Macross Frontier, it does not celebrate or acclaim it. Instead, it deconstructs it into components as it fits in the greater picture of changing eras.

It begins with a scene where boy watches a giant technogenic ball with a blue-green eye like-window in the center thinking in the ocean. On top of the ball there are statues of people in glasses clasping their hands together as if in hope or awe and all looking up at something above. There are also a bunch of pipes, pumping out smoke through the old-style industrial steam horns. Finally, there is a que of people, waiting to ascend somewhere.

The ball is an allegory of the now past era of technological advancement. Era when technology developed and men ascendant ever further into the sky. It floats in the sky because it wants to transcend the human origin and reach a higher plain of existence.

The fact that the ball is thinking in the ocean shows that this era came to a close. Instead of ascending, ball fell to the depth of the ocean. Choice of the ocean is no random either. Life first originated in the ocean, before moving to the surface. Going back to the ocean means going back to the past. A very fitting metaphor for an obsessed with the past era of the 2010s, that replaced the era of technological advancement of the late 90s and early 2000s.

Finally, the statue on the ball is a critique of the people of the technological era. A statement from creators that people of technological era were as devoid of life as statues. To that I would like to respond that in the following era people were reduced to mere beasts, scavenging for food and water.



The boy seems subtly glad that technogenic ball has sunk. It gives us a hint that he dislikes the technogenic era and looks forward towards the following water era.

Most viewers tend to think that boy is a soldier. That is probably due to a fact that he was riding a tank when he met a girl. By extension they see the tool he carries with him as a weapon. However, its far too overengineered for a gun.

My personal analysis is that tool is more likely a complex wind instrument such as oboe or Sarrusophone. Fagot (do not be confused with faggot) or Bassoon looks close actually. That will make him a piper that charms people with his pipe like a snake charmer and leads them to their doom. 



If the technogenic world was a world of statues, then world that replaced it is a world or ruins, shadows and water. The world that Gilgamesh from Fate/Zero dubbed despicably ugly. Abandoned homes, ancient looking tools and decorations from long bygone eras are littering the place. 

Water takes near center role in the whole story. I already mentioned that technogenic ball descended into water. Water flows from many fountains across the world the story is set in. These fountains shaped as grotesque fish or other such monsters.

The other protagonist, the girl, constantly scavengers for water or containers to keep that water. That shows just how low humanity have fallen if even such a basic necessity as water is hard to find. 

Eventually water even nearly floods the city.



All that is an allegory of the 2010s era of nostalgia for the past and ever-present confusion. Things are as murky as dark waters. No matter how much you struggle look into the watery darkness to find out who or what is behind the events that unfold, truth eludes you.

There is plenty of rain and even floods going on across the globe too. Almost as if crazy Christian fundamentalists want to imitate the Biblical flood and drown to death everyone who refuses to bow down to their mean, cruel and spiteful god.



Other than water, there are also shadows or illusions. The shadow of the fish is something everyone is chasing in this world. Everyone seems believe the fish is real and they all scramble to hunt it down. As they do so, they cause very real damage to the city.

This is possibly a metaphor for culture wars and other conflicts that characterise this era. Confused and mislead people fighting over nothing.



If the boy represents someone who enjoys and possibly oversees the era of water, then girl is someone who waits for it to end. 

Their stance on the issue became clear after the dialogue about Biblical Flood Story. After re-telling the story, boy eventually said that he wished that people would forget about birds they sent to look for land and just continue to live in flood condition. That shows that boy does not want for that era of shadows and water to end. He also works to prolong it as much as possible.

The girl then responded that her egg has that bird that will eventually hatch to inform people of the end of the flood and beginning of a new life. That sealed the egg's fate. After that boy waited for girl to fall asleep. When she did, he took her egg and smashed it, putting his views on preserving era of water into action.

Boy's plans did not work out, however. After finding out that egg was destroyed, the girl drowns herself. However, from her death many more eggs with birds in them emerged, too many for the boy to destroy.



The story ends with subtly upset boy watching the technogenic ball re-emerging from the waters it fell in in the beginning of the show. On the ball people are still the same as always, but girl and her egg are now also among the many on board of the ball. As ball ascends further and further into the higher reaches of the atmosphere it leaves not only boy and his pipe behind, but also the city and everything else. Eventually the whole world on the ground seems nothing more than a pattern on a seedling.

This represents the future where water era will come to an end and next technogenic era will dawn upon humanity. That is something I look forward to.



This is more of a summary than a review, but a show like this needs it more than a conventional review. Otherwise, casuals will never figure out what it is about. 

Saturday, 14 June 2025

Why Old School Gamers are Nostalgic for Titles of their Youth

 

I was playing a lot of World of Warcraft recently and I have been thinking to write a lengthy article about what went wrong with "modern WoW" and why so many people prefer Classic. I have lots of ideas so it will be a long one. 

However, before I could begin on WoW, I suddenly got a revelation of sorts about the general pattern here. WoW is not the only one, there is also Heroes of Might and Magic, that I already wrote on, Legacy of Kain, old Fallout, Diablo II, Doom and many-many more. Why gaming community so consistently reject sequels and keep asking for remakes and remasters of the original titles they fell in love with. Is it just nostalgia, or there is more to it than that. 

There are many theories that fundamentally miss the mark. It's not, that games were harder. Neither it's the pixel art.


The real reason why gamers keep coming back to old titles is because old titles were smart games made by smart developers and were played and understood by equally smart audiences. Modern games are dumb entertainment made for normies and casuals. That is why old school gamers cannot find enjoyment in modern games and keep coming back to old titles.


Back in the days video games were seen as something nerdy, Mainstream people shunned both games and gamers. Gamers were somewhat of an outcast.

Nowadays video games are much more mainstream and socially acceptable, fashionable even. Game stores sell game merchandise and people wear clothes with game characters.

At first glance its good, finally the society have seen the light of gaming and embrace it wholeheartedly. Now we are no longer nerds and outcasts, we are the core and center, right? 


Turns out not so simple. 

Influx of the normies and casuals into gaming brought with it change to games themselves. Average normie is much less smart that average old school gamer. The do not even understand, much less appreciate complex narratives games like Max Payne or Legacy of Kain had to offer. The only entertainment they understand is basic and simple.

In order to appeal to normies and casuals, game developers started to dumb down their games, both in game mechanics and in narrative. Complex long stories give way for simple episodic content that even a 6-year-old kid can get. 

From getting at precipice of philosophy and existentialism, games went on to be interactive Looney Tunes. After all everyone who can get Thus Spoke Zarathustra will get Looney Tunes, but hardly 0.00001% of those who get Looney Tunes will get Thus Spoke Zarathustra. 

For dumb normies Thus Spoke Zarathustra is boring, as is Lord of the Rings, or Classic WoW. All these works require you to think to understand and appreciate them. Normies are either too stupid or too lazy to think.

Game developers do oblige. After all there are a lot more normies than old school gamers so there is a lot more money to be made from normies that from hardcore games. 


Normies did not get any wiser and ascended to the level of enlightened games old school gamers enjoy. Instead, developers came down to the level of common pleb and dumbed down their products so that plebs may enjoy them. 

Old school gamers did not turn mainstream. They simply went from being nerds because they play games to being nerd subset of the overall large pool of gamers.

Now normies shit on old titles that old school gamers hold dear, while most developers either cater to their views or go out of business.


Fundamentally this dissatisfaction with modern game industry is because games just stopped being a highly intellectual entertainment for highly intellectual people they used to be. 

We are sick of being treated like idiots. We hate that our medium is being taken away from us and dumbed down for plebs. We are puzzled that playground that was once ours no longer feel this way.

Because of that old school gamers complain that new WoW is worse than Classic, modders keep refining HoMM III even when developers released 8th installment, well-made remasters fly of the shelfs and get huge critical acclaim and many more.


Many feel that things are not right but consistently fail to pin down the root cause of the problem. People like Ben Yahtzee Croshaw tries to express these feelings in his Fully and Semi Ramblomatic. He became very popular essentially complaining about modern game industry. His many videos about many individual aspects he finds issues with.

However, Yahtz and many others fail to see the forest for the trees. 


We want our highly intellectual entertainment back. 

Occasionally some developers oblige and do a remaster or even a true to core gameplay Doom 2016. However, for every good remaster that captures what people liked about the original, there is another that fucks everything up and earns record low scores on review sites.


Fundamentally however this is not a solution. What about new games that are as good as old ones were? Why cannot writers write as good as they used to? Is there a hidden censorship that prevents the same level of creativity? Even if there is money to be made by making games for filthy casuals, there are still robust old school community that wants more titles in the spirit of their beloved classics.

Possibly the answer is indeed that studios simply do not understand what made 90s games so popular. Because of that they do not understand what went wrong in 2010s and by extension have no idea how to fix it.

If studios really want to recapture the appeal of games of the past, they need to employ people like me as consultants and/or writers to make sure games they make can recover from the dark ages they plunged in 2010s.


Things I mention above are general observations. They do apply to every game, but each individual game also has other unique to itself issues that needs a dedicated article or even series of articles to fully explain. I plan to eventually cover other games like WoW, just like I covered HoMM III in a separate article.

Saturday, 7 June 2025

Aldnoah.Zero: Ame no Danshou - The Penultimate Truth Review

Overall Rating 5.3 out of 10 - Epilogue that makes bad ending of second season even worse

I do not recommend watching.

This OVA was released at rather inconvenient time. I already forgot how I disliked the ending of the second season but still remember that I liked the show overall. Thus, I jumped rather enthusiastically on this one only to be disappointed. 

This OVA has all I hated about this show and almost none of what I liked. Complex and well thought plot twists, spectacular and tactically though through battles, brightness and ingenuity of main characters are all thing of the past. Instead, there are just dialogues that try to sell authors' values to the audience. Suddenly this show tries to be philosophical and existentialist but fails to say anything significant.

Seeing Slane in prison is too hard and unpleasantly sad, yet that is what they do in this in OVA pretty much the entire duration of the show. When it's not prison, it's the girls who were never this show's strong point. 

Overall, only achievement of previous seasons of Aldnoah.Zero prevents me from just giving it 3 and move on.

Kanokon Review

Overall Rating 6.2 out of 10 - Flawed, but mostly enjoyable and sometimes funny ecchi comedy

I can recommend watching

Kanokon is rather mixed bag show. I took half part of what I like and another half of what I hate, put them together in a blender and thoroughly mixed together into this show. It ended up a levelled experience with occasional ups and downs.

As much as bigger girl, smaller guy does not work, they put that here. Fox Girl (Chizuru) personality is mostly flaws, but she is very devoted to Kouta and willing to sacrifice anything for him. That is something I appreciate in women. Wolf Girl ( Nozomu) is somewhat better and more to my taste, because she is always very calm and gives stabilising feel. She is rather stubborn, however. 

Best girl is of course the Frog Girl. Frog Girl is very polite, caring and attentive towards that Weazel guy with spiky hair she is in love with. Clearly, Weasel Guy won jackpot in love and I want my own Frog Girl in maid outfit. Alas, Frog Girl also gets the least screen time of them all This is the shows biggest flaw. I cannot even remember if they even mentioned her name.

The Long Kaguya Style Hair Girl gets an honorable mention as the second-best girl in the show. I cannot remember all their names. 

Worst girl is of course the glasses one.

Show has moderately complex plot, that more or less keeps show from getting boring and gives some sense of progression.

There are a lot of fanservice like moderate nudity, pantsu shots and so on. My favorite maid outfits and bunny suits are also there, which gave this show certain score boosts.

Overall, just the fact that I can watch it without getting annoyed already means it's better than average, so you watch it too.

K-On! Movie Review

Overall Rating 7.7 out of 10 - Nice continuation for K-On! series with only minor issues

I recommend watching

In the very beginning K-On movie got me worried that movie team does not understand characters well enough and the movie will be a flop. If anything, one can expect Ritsu to support playing like Death Devil. It would be Mio who will be against.

Fortunately show got back fast enough to being the K-On we all know and love. All in all, almost two more hours of the goodness. 

Core plot is somewhat predictable as in OVAs at the end of last season they were getting passports and preparing for the journey. In the movie they finally got to do it, and they went to London of all places. 

London with its many iconic places is possibly the best fit for K-On! They went to Kyoto in second season and that was a blast with many jokes and silly behavior that was both unpredictable and at the same time very in character for them. London should have taken all that to a whole new level.

The actual movie somewhat disappointed in that regard. Many famous landmarks were left unvisited. They could have messed with Beefeaters in The Tower, take photos with celebrities in Madame Tussauds wax figures museum, try to get luck out of British Museum exponents or try to uncover some mystery in Arthur Conan Doyle's Sherlock Holmes Museum. Alas, creators of the movie missed all these opportunities.

That said while it could have been so much better, it was still fun and enjoyable. K-On! girls are still as likable as before: silly in a cute way and devoted to each other to the level of self-abnegation - something I very much like in female characters. These girls are few anime characters that still bring joy to my eyes and heart. They are not the "woke" mess more "modern" anime likes to place in their shows. In this regard movie have not disappointed so I gave it the high score I gave.

In those moments when show is not focused on London, it focused on another subplot from the second season centered around Azusa. I will not spoil more here.

Overall, it's a pleasant experience. I can recommend it for everyone. It is better to watch it after the series as plot continues from where the series have left it.